Release Date : Apr 27, 2011 Limited Genre Movie :Documentary,Drama,Art House & International,Special Interest
Mpaa Rating : Unrated
Actors :George Costigan,Neil Dudgeon,Kathryn Pogson,Monica Dolan,Jimi Mistry,Christine Bottomley,Danny Webb,Manjinder Virk,Robert Emms,Natalie Gavin
Instead if making a conventional documentary or adapting Dunbar's play The Arbor for the screen, director Clio Barnard has crafted a truly unique work that transcends genre and defies categorization. Following two years conducting audio interviews with Dunbar's family, friends and neighbors, Barnard filmed actors lip-synching the interviews, flawlessly interpreting every breath, tick and nuance. The film focuses in particular on the playwright's troubled relationship with her daughter Lorraine who was just 10 when her mother died. Barnard re-introduces Lorraine, to her mother's play and private letters, prompting her to reflect on the extraordinary parallels between their lives. Interwoven with these interviews are staged scenes of Dunbar's play filmed on The Arbor, the street where she lived. -- (C) Strand
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User Ranting Movie The Arbor : 3.7User Percentage For The Arbor : 76 %
User Count Like for The Arbor : 1,074
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Numerous celluloid experiments have fudged reality and fiction lately, but few are as formally inventive or socially revelatory as The Arbor.Ronnie Scheib-Variety
For the morbidly curious, it's mesmerizing. But it's also a singularly watchable story for the strange, and strangely fitting, way in which it's told.
Michael O'Sullivan-Washington Post
[An] exquisitely crafted docudrama.
Loren King-Boston Globe
Barnard's boldest move is to unveil the irresponsible chaos of the playwright's private life, and to make us wonder if the art was worth the suffering, after all.
Anthony Lane-New Yorker
Tough, worthy stuff.
Joshua Rothkopf-Time Out New York
Like a Ken Loach drama stripped to bare bones, "The Arbor" springs to life in the bright bitterness of Dunbar's prose, showcased in alfresco performances of contentious scenes from the play.
Jeannette Catsoulis-New York Times
This is a fiercely intellectual piece of cinema that still manages to grab your heart and punch you in the gut.
Amber Wilkinson-Eye for Film
...riveting stuff, all the more so since it's "real."
Josh Larsen-LarsenOnFilm
Documentaries often toy with the conventions of non-fiction storytelling to the detriment of their content, but Clio Barnard's innovative The Arbor provides a welcome exception to the norm.
Eric Kohn-indieWIRE
British Poor Adrift in Turbulent 'Arbor'
James Verniere-Boston Herald
The only weakness in this captivating film: too much screen time given to the trials and travails of Dunbar's half-Pakistani daughter, Lorraine, a heroin addict still suffering from the disinterest of her late mum.
Gerald Peary-Boston Phoenix
The format suggests such films as "Synechdoche, New York" or "American Splendor," but Barnard has gone beyond them, also instilling a theatrical element befitting her subject.
Laura Clifford-Reeling Reviews
It's an even handed and responsible profile that recognises the playwright's important contribution to British theatre without turning away from the vulnerable and flawed human being that she was.
Ed Whitfield-What Culture
The film's strange way of meandering off its original topic is never resolved, but even with its deficiencies The Arbor is always intelligent cinema.
Sean Gandert-Paste Magazine
The peanut gallery might say Clio Barnard's genre-bending The Arbor is a mixed-up moving target, but it's strikingly honed in on its subject: the lauded writer and loathed matriarch Andrea Dunbar.
Matthew Nestel-Boxoffice Magazine
Intense, startlingly creative. . .bio-doc. . .and searing portrait of destructive inheritance of addiction and domestic violence within . . .one family. . .and neighborhood.
Nora Lee Mandel-Film-Forward.com
From the sublimely ridiculous to the simply sublime, The Arbor exists at the intersection of life and art, reality and performance, documentary and fiction, and it explores that terrain in a way no other movie quite has before.
Scott Foundas-Film Comment Magazine
An epic piece of theatrical detachment
Chris Cabin-Filmcritic.com
Original mixture of techniques makes this documentary provocative yet moving.
Eric Monder-Film Journal International
Brings the Dunbar story to life through a technique known as "verbatim theater," in which actors lip-synch testimony from the real people they're portraying.
Scott Tobias-AV Club
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Portrayal of the late Bradford playwright Andrea Dunbar.TagLine The Arbor
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